Showing posts with label Bible pictures. Show all posts
Showing posts with label Bible pictures. Show all posts

Sunday, February 01, 2015

Bible Picture sets: Update

For the final day of my week long Blogathon I thought I would give an update on how the picture sets are progressing. As you may remember, we have changed the format to widescreen powerpoint, (16x9 approx), and this is working out well. The set I'm about to finish is the 12 spies spying out Canaan, (Numbers 13), in 5 pictures. The story completed before that was the 'Serpent of brass' (Numbers 21) in 6 pictures, (sample above). Before that was the Tabernacle and it's furniture in 9 pictures.

How am I getting on with the Cintiq?

I'm still happy digitally colouring on the Wacom Cintiq although I've gone back to using brush and ink for my line work as I've still not found a programme that replicates a good brush line. Another peculiarity of the Cintiq is what someone has called 'Cintiq Jitter'. Take a look at the example on the left - the lines (top right) have been drawn quickly. As the lines progress to the bottom left the pen is traveling slowly over the cintiq's surface. See how the line goes wobbly? Even if you draw a line slowly with a rular, the line will be wavy! This can be annoying if you are trying to follow a pencil rough - your pen goes one way and the line goes the other! I was told by the Wacom helpline that this is caused by there being another computer close by - I tried shutting everything else down but it didn't help.

When I originally set up the Cintiq the main problem I had was trying to match the pen tip to the actual drawn line. I didn't think that I could get used to drawing if they didn't match up. When you ink in with a brush you are watching the very trip of the brush. Now, it's not so much of a problem as you soon get used to watching the cursor rather that the pen tip. Don't worry about getting them to line up - they won't!

One final problem that I hear about is Lag. You draw a line and a couple of seconds later it appears! I've not had that problem much, (only occasionally), and I think it's probably down to how powerful your computer is. On the good side, it does speed up your workflow (eventually), and it's much more natural drawing with a pen than a mouse. This brief review, (Cintiq 24HD), probably won't make it onto the Wacom website but these are points here that are important to artists and these are the observations of someone who has never used a tablet before.

Wednesday, February 05, 2014

Annie Valloton - At home with her Lord.

Annie Vallotton, illustrator of the iconic images in American Bible Society’s Good News Bible, died in France on December 28, 2013 at the age of 98. The publisher HarperCollins has identified Vallotton as the best-selling artist of all time, thanks largely to the success of the Good News Bible, of which more than 225 million copies have been distributed since its release in 1966.

Annie Vallotton, who was born in Lausanne, Switzerland, dedicated her life to finding ways to share the Bible’s message in a clear, simple way. In addition to the Good News Bible, Vallotton illustrated other Christian books, including Who Are You Jesus? and From the Apple to the Moon. From the American Bible Societies website


We sent Annie a christmas card which included all of the recent comments that readers have left on the 'Annie Vallotton interview' post. Annie replied via her sister-in-law Heidi, (as Annie was getting weak). They sent us a lovely card and letter on the 17th December - she passed away just over a week later. Our condolences go to the Vallotton family.

There are some exciting things about to happen within the next month or so regarding Annie's life and work which I am not at liberty to mention just yet. As soon as I get the 'thumbs up' from HarperCollins I will tell you all about it!

If you would like to leave a comment/tribute on this post, I will gladly send them on to the family. If you haven't read the full interview with Annie yet, Click here. She was a very special lady.

Annie Vallotton

21 February 1915 - 28 December 2013.

At home with her Lord.

Saturday, March 31, 2012

My favorite Bible artists #10

Charles Edmund Brock (1870-1938). Henry Matthew Brock (1875-1960)
A few years ago I purchased two old books (1950's) of Bible stories that were illustrated mostly in black & white. One illustrators work stood out from the rest, his name - H.M.Brock. Henry Matthew Brock had three other brothers, two of which were also talented artists/illustrators -Charles Edward (C.E.) and Richard Henry. (R.H.). The brothers shared a studio together in Cambridge and sometimes collaborated on projects. C.E worked mainly in oils while H.M worked mostly in watercolours. Both C.E and H.M were well known for their excellent line illustrations and they were both skilled cartoonists contributing to Punch magazine! The Brock brothers are best known for their illustration work on the famous novels by Charles Dickins, Jane Austin, Arthur Conan Doyle, Rudyard Kipling etc, but I wanted to take a brief look at their wonderful Bible illustrations!

Not so long ago I came across an old (board backed) copy of H.M Brock's 'The Bible Story'. (See right). This was the first time I'd seen H.M's Bible art in colour - and it left me wanting to see more! The Bible Story is a very thin book having only 16 pages with 8 colour illustrations and is one of a set of 4 books, the first two covering the Old Testament - the second two covering the New. As you can imagine this was a very concise edition covering the entire Bible in 32 short paragraphs!
A few weeks ago I was searching, (on the Amazon website), for more of the Brock brothers Bible Art and I came across an excellent copy of 'Through the Bible' by a Theodora Wilson Wilson, illustrated by C.E and H.M Brock! Charles Edmund illustrated the Old Testament while Henry Matthew worked on the new. The book was first published in 1938 so it must have been one of the last projects C.E worked on as he died in the same year. My only criticism of the book is that the b&w line illustrations were provided by a J.B.Ayto - the book would have been so much better had they used the Brock brothers line illustrations. I've scanned two samples from this book (see below) showing both H.M's and C.E's art for you to compare! (Click image for a bigger picture).

'Through the Bible' also contains some really nice black & white photography taken in the Holy Land presumably in the late 1930's or earlier.

At the end of the first World War the younger brother, Henry Matthew who worked almost entirely in pen and ink, began a career in advertising and illustrating boys adventure comics. You can see from the picture (above left) how his style suited this genre. Take a close look at the picture (above right) by Charles Edmund - can you spot the mistake? Click here for the answer.

A collection of artwork by H.M.Brock, including 70 originals, was donated to the University of Reading in 1994. This collection included the drawing board used by Charles Edmund. It's still possible to pick up an original picture by one of the Brock brothers (mostly C.E's) here!
Like William Hole and Harold Copping the Brock brothers kept a large collection of costumes that were modeled by willing members of their family and friends. Similarly also to artist Sir Lawrence Alma-Tadema, the Brock brothers built up a large collection of curios, antiques and furniture that also featured in their pictures.

I've not mentioned much about Richard Henry Brock as, from what I can gather, he didn't produce any Bible art but worked mainly on boys annuals. Look forward to your comments!

Wednesday, November 23, 2011

NTM Pictures finished!

The 'New Tribes Mission' pictures are finally complete! There are 210 pictures in the new set which is exactly double the number of pictures in the old set which were painted 26 years ago by Filipino artist Carlos 'Caloy' Gabuco.

I've had to make a number of changes to my pictures, (over 60 in all), in order to make them more biblically/historically accurate. Thankfully there have been many expert eyes on the project, not only guiding me on matters relating to biblical topics but helping me to understand how to present certain topics clearly to pre-literate people groups - I have very much appreciated their input!

Preparing pictures to assist missionaries in their presentation of the Bible message has been a great privilege and responsibility. I can't think of a more worthwhile use of an artist's/illustrator's time though and I would encourage other artists to pursue this vocation.
In many cases these pictures give the very first glimpse of the outside world to be seen by remote people groups - so you do feel a certain amount of responsibility there too! I've already had feedback about how fascinated one group were to learn how early civilizations could build buildings using mud! Moulding and baking bricks in the sun, as is shown in the 'Tower of Babel' set, was a completely new concept to them!

It's hard to imagine that there are still 2,500 people groups that are unreached with the Gospel! The next step is to get all the picture sets printed, laminated and distributed to the 3,000 NTM missionaries working in the field. If you would like to help towards the cost of printing, click here. Many thanks if you have donated already!
Please remember the work of NTM in your prayers.

Sunday, September 26, 2010

Bible Artist News!

I've received a few updates recently from Bible artists around the globe that I would like to share with you. There are also a number of new children's Bibles about to be released which I'm sure you'll find interesting.

'The ICB Big Red Holy Bible, Contemporary 3D Art Edition', (not sure who came up with the snappy title), is due to be published next month and is illustrated by A friend of mine Graeme Hewitson. Graeme tells me that the cover of this bible has a "really cool 3d effect" which should be interesting. The Bible contains Graeme's very cool 3D artwork which the publisher Tommy Nelson is hoping will appeal to 'today's video-game generation'. This is a bold move away from traditional Bible art, and if its successful, will no doubt have other publishers following their lead. This will be good news for all the CG artists out there. There's a facebook movie promoting the ICB Big Red Holy Bible...etc etc here. Graeme has promised me a signed copy which I look forward very much to seeing. (Thanks Graeme)

Keith Neely has finally completed the ICB Illustrated Bible series and the first copies should be back from the printer early October. More details about the new 'ICB Illustrated Bible' can be found at Keith's new website www.freeillustratedbible.com which is packed with information including a very interesting 'How we created the Illustrated Bible' page.
Keith is looking for a publisher/distributor in the U.K. to distribute copies here, so if you're interested contact Keith.

As I've previously mentioned in the 'Shanah Tova' post, the latest volume of the Modern Hebrew Children's Bible will be on its way to the printer next month also. This will be the fourth out of five volumes and includes the books of Job, Psalms and Proverbs. The Modern Hebrew Children's Bible has been illustrated by our friend Diana Shimon in Israel.

Balage Balogh has launched a new website Archaeologyillustrated.com which is devoted entirely to his Bible Art. Balagh sent me his latest picture (above) which I'm sure you'll all enjoy. (Click on the picture for a bigger version). Balage describes the scene as "...an illustration of Herod the Great's temple from inside the Royal Stoa during a major Hag, maybe Pesach." Don't forget to check out Archaeologyillustrated.com, you won't be disappointed.

I was also contacted last week by Ed Olson who has been working on a new book project with his wife Linda which is based on Creation. To learn more about this project and to see a dummy of the book click here! Ed and Linda are looking for a publisher - so, if you're interested contact Ed.

In closing, I'm hoping to be interviewing CEF's Bible artist Tim Shirey over the weekend for the Bible illustration blog so I'm looking forward to that. Tim is one of our regular contributors to the B.I.B and is based in Switzerland. Jewish Bible artist Nahum HaLevi will shortly be adding his latest painting titled 'Ezekiel' to his website. As usual, this will be accompanied by a lengthy and informative description which I've had the privilege of reading already, (Thanks Nahum).
As always, I look forward to your comments!

Saturday, September 11, 2010

Graphically illustrated children's Bibles

I had an email this week from a 'Jenny' in Indiana who is trying to get hold of a children's Bible which she owned as a child in the 70's. She describes the Bible in question as having "..the most graphic illustrations imaginable. By this, I mean that our mother eventually cut out the picture of John the Baptist’s head being served on a platter!" Jenny goes on to describe a picture of "Solomon holding a baby up by the heel with a sword ready to cut it in half." also a "...dreadful illustration of the murdered babies in the slaughter of the innocents."
They don't illustrate Bibles like that anymore! No, really, they don't!

Jenny, who wants to get a copy of this Bible for her brother who's now a pastor, closes her email by saying "Now that I have kids (ages 4 and 6), I am pretty sure I’m glad that most of the Bible story books we have now are much more tame!" If you think you might know which children's Bible Jenny is describing, or how she might get hold of a copy, please leave a comment or send me an email which I can pass on to her.

The early 80's was probably the last time that we see really graphic images in children's Bibles. The image above of David holding Goliath's severed head is from The Great Bible Discovery series published in 1983. It's hard to imagine a publisher re-printing images like this today, but will the sugar-coated Bible illustrations of today be as memorable? I also wonder if the trend to move away from a realistic Bible illustration style is because the publishers today associate this style with the more explicitly illustrated Bibles of the past?
Look forward to hearing your comments.
Image © OM Publishing 2010

Saturday, May 08, 2010

Balage Balogh: Merging Art and Archaeology

One of the many tasks of the Bible artist is to recreate the ancient civilizations of Bible times. In our attempts to accurately portray scenes which are set in ancient Egypt, Babylon, Israel, Assyria or Rome etc, we utilize all the latest archaeological evidence available to us. We have often discussed the question "How important is it to add lots of historical detail into our Bible pictures?" The consensus was, that so long as it doesn't slow us down too much, (as we sometimes have many pictures to illustrate in one story), adding well researched historical details does help to make a scene that bit more convincing. I'm not saying that we need to go to the same lengths as Sir Lawrence Alma-Tadema as he sought to "bring antiquity back to life," but I think that we should try, to the best of our abilities, to present each story in its correct setting.

Having said that, for a small number of Bible artists it's immensely important that all historical details are absolutely accurate! These are the Bible artists whose job it is to illustrate Study Bibles, and of course those very helpful illustrated Bible Encyclopedias and dictionaries that we use. These artists have the great privilege of working alongside Bible scholars, Archaeologists and Archaeological Architects like Dr Leen Ritmeyer, all experts in their respective fields. One such artist, Balage Balogh, contacted me a few weeks ago, and gave me permission to share some of his wonderful artwork on the B.I.B.

Balage, was born in Budapest, Hungary and attended art school there. As an immigrant he settled in New York before traveling extensively in the Mediterranean, the Middle East and the Orient. Balage has worked for many years with archaeologists, scholars and museums creating archaeological reconstructions, and shares our passion for Bible Art! He was excited to find "a community of Bible artists who hang out together on the B.I.B", and is looking forward to joining with us as we discuss the various issues surrounding Bible illustration. You can see more of Balage's Bible art at his website, but before you rush off there, check out the samples below. Enjoy!

King David's balcony 10thcBCJosiahNebuchadnezar's palaceNehemiahSolomon's Temple
All pictures on this post are © Balage Balogh 2010

Sunday, February 14, 2010

New Bible Picture website Launched!


Our brand new website is finally live! Click here to visit the new 'Bible Picture website'. You can now view every picture in each picture set, in large format!
We are asking all of our previous 'Visual Impact Resources' customers, (and all new customers), to register on the new 'Foundation Matters' website. Registration only takes a minute to complete, and we can then keep you up-to-date with news of each new picture set as it becomes available.

All of our new picture sets which have been completed over the last two years are now ready to view. We've had one or two teething problems where the thumbnail pictures have jumped out of sequence but don't worry, when you receive each powerpoint all the pictures will be in the correct order!

Those of you who are familiar with the old 'Visual Impact Resources' website will be wondering where all the older picture sets have gone. (We had over 100 Bible stories already illustrated but in a less detailed, or cartoon, style). All these picture sets are still available and will be slowly added back onto the new site under the heading 'Previous Series'. So, if you can't find the story you're looking for, drop a quick email to Jem Hudson.
We wanted to concentrate first of all in getting all the recent pictures, (done over the last two years), onto the web for the first time!

The picture above is from our recently finished picture set which tells the story of 'Abraham and Isaac'.
There are six pictures in this set which brings our total Bible picture count to 827. Don't forget to check out the new website here!

Saturday, January 30, 2010

Biblical Art on the WWW


I received an email this morning from Rolf Stærk in Norway. Rolf runs the website 'Biblical Art on the WWW'.
After 10 years and around 8,000 hours work on the website, which displays small thumbnail images of biblical art, he has been informed by one of the copyright holders that his website infringes copyright law.

Rolf was not aware of this and is unsure of where he legally stands on the matter. He could use some advice from a copyright lawyer but he's not in a position to pay for one, so if there are any christian copyright lawyers out there who might be willing to give Rolf some advice I'm sure that he would greatly appreciate it.
This is a well used site with 1,500 visitors a day, so it would be a great shame if Rolf was unable to continue. You can contact Rolf here.

Image above from www.artbible.info

How do you draw a 65 year old man?


The question above is a little misleading - the question should read "How would you draw a 65 year old man from the early Old Testament period?" (but that was a little too long for a post title!) I was pondering this question as I was illustrating the story of Enoch with his newborn baby Methuselah. The problem is, Enoch, (who was 65 years old), lived for another 300 years after the birth of Methuselah and before God took him. So, how old would Enoch have looked at age 65 bearing in mind that he was going to live another 300 years? I'm just wondering if the aging process at this time was much slower. The Bible tells us that the average life span was much greater up until, and just after, the flood. So, let's say for example that a man lived to be 500 years old. When he died, would his physical appearance have been like that of a typical 100 year old man today? Would this then mean that when he was 250 years old he would have the physical appearance of a 50 year old? And when he was 125 would he have looked like a 25 year old? In other words, could the whole aging process have been much slower? This might explain why so many first children were born to those over 100! For example, Enoch's father Jared was 162 when his first child Enoch was born. Methuselah was 187 when his first child Lamech was born, and Lamech was 182 when his first child Noah was born, etc.

A similar thought arose again last week as I was illustrating the story of 'Abraham and Sarah'. (picture 2 right). We've all heard how, when in Egypt, Abram asked Sarai to pretend to be his sister. Abram's fear was that, because Sarai was so "fair to look upon", If the men in Egypt knew that they were man and wife, they would kill Abram just to be with Sarai. Most Bible artists who have illustrated this scene depict Sarai to be in her twenties, when actually she was 65! Did she look younger though? More surprisingly, when the same thing happened again some time later with King Abimelech, Sarah was in her 90's! Now, I know that many ladies age well, for instance the actress Julie Newmar who played Catwoman in the original Batman TV series still looks amazing at 76, but how many men would kill off the husband of a 90 year old lady just to be with her? This is what was happening with Sarah! Was this because the aging process was slower then? I don't know, it's just a theory! The down side to slow aging would be that parents would have those difficult teenage daughters to cope with for about 30 years! :0p

I doubt that many theologians have lost any sleep over this question but it does have a relevance for Bible artists and illustrators who are seeking to accurately portray biblical events. I decided to depict Enoch looking as a youngish 65 year old man might look today. The reason being that if the pictures are used with children, and the person telling the story mentions Enoch's age, it might be confusing to the child if he looks a lot younger than 65. Drawing Sarah was more of a challenge! Most artists who show Sarah at 90 depict an old lady, but Sarah was still very "fair to look upon!"
Looking forward to your comments on this interesting subject.
There are two pictures in the 'Enoch' set and seven in the 'Abraham and Sarah' set which brings our total Bible picture count to 821.
At the end of this month we will be launching a brand new website! The new website will display every picture done over the last 14 months. as well as all our previous pictures from the old website. As soon as the website goes live I'll pass on the link via this blog. You will also be able to view all the pictures in large format too!

Sunday, September 27, 2009

Eastern Coin Headdresses

Eastern HeaddressThere was an interesting comment left by 'OneGod' on 'The Lost Coin' post that I thought I would share with you.

Or what woman having ten pieces of silver, if she lose one piece, doth not light a lamp, and sweep the house, and seek diligently until she find it?
Luke 5:8

“This little bit of silver must have been one of the coins which Jewish, and indeed other Eastern women, sew on to their head-dresses.
Decent women were not seen, even much at home, without these snoods, which is why the loosened hair of the woman, or women, at the Master’s feet is noted.
There were no bank accounts or post-office savings banks for women in those days; their economic earnings were very small.
Till lately, Chinese women put any little bit of money which came their way into buying a silver bangle, or a thin sheet of gold-leaf worn in a bag within their bosoms.
In Judea, a bride came to her husband with at least ten silver coins sewn round her head-band, and often more: and her husband knew just how many there were, for he could see them.
They belonged to him, as she did, although the Law did not allow his creditors to seize these personal coins on his wife’s head.
In fact, a crafty might give his wife many such coins, yet owe much to a creditor, which was very annoying to the latter.
Nevertheless, woe betide the woman who lost her coins: her husband immediately suspected her of a wrong use of them; and the laws of divorce in the Master’s day were so heavily loaded against the wife that a man might divorce his wife if but one of those marital coins was missing from her headgear.
That was why that woman in the Master’s sharply drawn tale of sweeping so desperately; taking broom and candle in an agony of dismay.
She was sweeping, not only for a bit of metal, but for home and shelter and respectability; for her right to a safe and honorable place in society, perhaps even for her right to her children.” – Lady Hoise, in Peloubet’s Select Notes on the International Bible Lessons 1956.


The pictures above are taken from the 'Great Bible Discovery' series. © OM Publishing. Speaking of the 'Great Bible Discovery' series, I had an email a couple of days ago from Stefan Koelewijn in the Netherlands who has now reduced his collection of books to €5 each! Click here For more details.

Saturday, September 26, 2009

Pictures of Noah's Ark

Noah's ArkThe picture set of Noah's Ark is finished. There are 17 pictures in this set which is why it's taken so long to complete! I am indebted to all the model makers, (who I link to in the 'Bible Models' link list), who have spent many hours building replica models of Noah's Ark. I have used both interior and exterior photos of these excellent models for reference.

I have tried to include scenes from the Biblical account of Noah that you don't normally see illustrated in children's Bibles such as the arrival of the animals in picture 4, (above). It was suggested in one article that I read that, during the 100 or so years that it took Noah to build the Ark, that Noah purchased all the animals from passing merchants. But, Gen 6:20 does suggest that the arrival of the animals was a divinely orchestrated event. I wanted to try to capture the fear and awe of those who witnessed the arrival of this 'Supernatural Tsunami' of animals as they silently approached the ark. My inspiration for this picture came from the wonderful painting below titled 'Noah's Ark' © Haruo Takino.
Noah's Ark by Haruo Takino
Picture 5 shows the animals entering the ark. included in this picture is a flock of sheep. This is to point out that only the unclean animals went into the ark in pairs. The clean animals, (and birds), such as sheep, oxen, quail etc which were used for sacrifice, breeding and food, entered the ark in sevens. Rapid multiplication of these breeds was of the highest importance! Some commentators suggest that there were six for breeding and one for the sacrifice to God, which took place in Gen 8:20. Some translations say that every type of clean animal went into the ark in pairs of seven, (14 of each). Maybe our readers who are fluent in Hebrew can shed some light on this one?
Also in this picture we see that the ark is covered in pitch. For some reason, we rarely see depictions of Noah's ark covered with pitch. We mentioned in the 'Baby in a Basket' post that the basket which held baby Moses is also rarely shown to be covered in pitch. I think that the reasons for this might be the same; It just doesn't look nice! This is probably the reason why model makers never cover their models of Noah's ark with pitch. In picture 6, which is an interior view showing the door of the ark being shut by God, we can see all the animal hoof and paw prints in the pitch that overlaps into the doorway of the ark.
In picture 3, (right), we see the arks interior as Noah's sons and daughter-in-laws load the supplies. The early narrow bottomed jars that would not stand in a swaying boat are hanging by ropes along with the oil lamps and the ingenious ceramic water feeders believed to have originated from this period.

In picture two, Noah is preaching. It may be a surprise to some readers to find out that both the preaching by Noah, (that we have often heard about in Sunday school), and the subsequent rejection of his message by the jeering crowd, is not recorded in the Old Testament! We only know that Noah was a 'preacher of righteousness' from 2 Peter 2:5. If we were being faithful to the Old Testament account, we would not include a picture of Noah preaching to a jeering mob! I came across a website where this was the subject of discussion. This discussion does have a bearing on how we should illustrate this story. Do we show Noah preaching at all? Did Noah only preach before or during the arks construction?

One person suggested that Noah stopped preaching at the point where God told him to build the ark. The reason given was "If you read Genesis chapter 6 carefully, you'll see that 3 times God says he is going to destroy man, plus the rest of creation (verses 7, 13 & 17). In other words, He had already passed judgement so it was now too late for any one else to repent. Then in v18, He tells Noah about the covenant He is going to establish but it's only for him and his immediate family". It is hard to imagine though, that there were not those who questioned Noah during the building of the ark as to why he was building it, and even harder to imagine that Noah, who was a preacher of righteousness, was not compelled to give them an answer, (or in effect preach!) Whatever our thoughts are on Election or Predestination, the preaching does not stop. Also, experts on the ark tell us that the ark was not full to capacity, so there was still room.

During this discussion someone else commented ...according to Hebrews 11:7, Noah built the ark for his family, not for the whole world. Yes, he condemned the world, and he did preach (2Pet 2:5). But his preaching was not to get into the ark. IF THEY HAD REPENTED, THEN GOD WOULD NOT HAVE HAD TO DESTROY THEM. Remember Nineveh was spared when repented?"
The problem with this argument is that Peter mentions the ark, (in 2 Peter 2:5), when speaking about the certainty of God's judgement. Unlike Ninevah, God's judgement was certain, and the ark was the only way of escape! This is why we believe that Noah's Ark is a type of Christ. Just as in Noah's day, the only way to escape God's certain judgement (the flood) was to enter through the only door into the ark, the only way that we can escape from the certain coming judgement of God on our sin and rebellion against Him is to turn away from our sins (repent), and enter into Christ, which we do by faith in Him as the 'Perfect Lamb' sacrificed for the sins of the world. (John 3:16). Jesus said "I am the door. by me if any man enter in, he shall be saved" (John 10:9).

This set brings our total Bible picture count to 812! (All of our more recent Bible picture sets will be available soon at the Bible Picture website).
As always, your comments are welcome!

Tuesday, June 09, 2009

Satellite Bible Pictures?

Crossing the Red Sea
While I was doing some research in connection with the last picture for our children's Bible, which is the 'Crossing of the Red Sea', I came across an interesting online article titled 'The Bible according to Google Earth' on the 'Creative Review' blog.

Have no ever wondered what all the well known biblical events would have looked like if photographed from space? Er....no, probably not! But, if for some strange reason you had, wonder no longer, because a creative company called the 'Glue Society' based in Sydney, Australia has produced a set of pictures showing what these biblical events might have looked like if photographed at the time by satellite.

A pointless exercise? The Glue Society's James Dive's comments as to why they produced the pictures are revealing. I'll let you decide.
Picture © The Glue Society 2007

Friday, June 05, 2009

David Spares Saul, again!

David spares Saul
A few years ago I drew a picture of King Saul asleep in a cave, while David, who was hiding in the same cave with his men, cut off the corner of Saul's cloak while he slept. I'm not the only Bible artist who has depicted this scene in this way. I've seen a number of pictures like this over the years by different artists. (See samples 1, 2.)
So what did we all do wrong? Well, we all got our Bible stories mixed up! In 1 Samuel 24, Saul didn't go into the cave to sleep, he went in to use the toilet! This is probably why we don't see that many pictures depicting this scene, although Annie Vallotton managed to illustrate this scene both accurately and discreetly.

Mistakes like this stem from the fact that there are a number of Bible stories which are very similar, but not the same. This is another reason why we need to read each story very carefully before illustrating it! The picture above is from a very similar story when King Saul was again hunting down David. It's found in 1 Samuel 26. In this story David and Abishai go down into Saul's camp at night and they take Saul's spear and water jug from his side while he sleeps. Abishai wants to kill Saul with his spear while they have the chance, but David will not allow him to because Saul had been appointed by God.

The best way that David could show Saul that he meant him no harm was by taking Saul's belongings from his side while he slept. This clearly displayed to Saul that David could easily have killed him if he had wanted to. Just as David had done previously in 1 Samuel 24 when he cut off the corner of Saul's cloak. I've drawn Saul's bodyguard Abner soundly snoring in the foreground.
As always, all comments welcome!

Saturday, May 09, 2009

My favorite Bible artists #9

Lawrence Alma-Tadema
Sir Lawrence Alma-Tadema 1836-1912
I recently came across some amazing Bible paintings by Dutch born Victorian artist Sir Lawrence Alma-Tadema. Although Alma-Tedema is best known for recreating historical scenes from ancient Rome, Greece and Egypt, he also painted a small number of pictures depicting scenes from the Bible like the one above titled 'The Finding of Moses'. Alma-Tadema is famous for his almost photographic portrayal of ancient artifacts and architecture. The accuracy and detail contained in his pictures is breathtaking! A good example is Phidias Showing the Frieze of the Parthenon to his Friends.

So detailed are Alma-Tadema's pictures that he is credited in the book 'Great Painters and their Famous Bible Pictures' for having "peopled the past, rebuilt its towns, refurnished its houses and rekindled the flame upon the sacrificial alters".
It was during his first visit to Italy in 1863 that his mission in life became clear to him. He began his painstaking study "to bring antiquity back to life in so far as it lay in the power of his art". Muther said of him "There was no monument of brass or marble, no wall painting, no pictured vase or mosaic, no sample of ancient arts, of pottery, stone-cutting, or work in gold, that he did not study".

When painting scenes in Egypt he made many trips to the British Museum in London where he made sketches of the ancient artifacts on display. The picture above 'The Finding of Moses" took Alma-Tadema two years to paint and includes a number of archaeologically precise objects and inscriptions. His infatuation with detail brought some criticism though. Some critics said that his pictures "lacked sentiment" or "possessed no heart-interest". Others said that his work was becoming too encyclopedic.
Alma-Tadema's passion for antiquities did not confine itself to his paintings. His house in London was also filled with Egyptian decorations, pillars, mosaic floors, tiger skins and oriental carpets. His garden also was in the classical Roman style filled with marble benches and basins and statues of bronze and stone.

Alma-Tadems's paintings have served to inspire film makers of both the past and present. Cecil B. DeMille when filming The Ten Commandments had a set of Alma-Tadema's prints for the set designers to study. More recently the set designers of the Oscar-winning film 'Gladiator' took their inspiration from the very same pictures.
Alma-Tadema was knighted and received an Order of Merit, and, although his paintings were publicly acclaimed during his lifetime, following his death in 1912, they fell out of favor. During this time some of his paintings could have been purchased for as little as £20. Things changed though in the late 1960s when there was a revival of interest in Victorian paintings.
When the picture above 'The Finding of Moses' was auctioned at Christies in New York in May 1995, it sold for £1.75 million!

Links to some of Sir Lawrence Alma-Tadema's Bible Art:
Joseph - Overseer of the Pharoah's Granaries
The Death of the First Born
An Audience at Agrippa's
More pictures of historical interest to the Bible Artist:
Sculptors in Ancient Rome
Egyptian Chess Players
Egyptian Juggler

More about Lawrence Alma-Tadema here.

Thursday, April 30, 2009

Spot the Mistake!

Elisha by Clive Uptton
Here's a picture taken from the new 'Egermeier's Bible Story Book.' The picture is by one of my favorite Bible artists Clive Uptton and shows Elisha with the Shunammite woman. (2 Kings 4:18-37)
Can you spot the mistake? I'll add the first correct answer below.

The correct answer came in from Nikolaj from Belgium. Well done Nikolaj! The answer is:
Elisha was Bald!
This is a common mistake made by Bible artists. The reason for this is, I think, due to the fact that the most popular depictions of Elisha are when he is present at the translation of Elijah in 2 Kings 2:1-11.
The Bible artist would need to read on past this story to verse 23 to know that Elisha was bald!

The only reason that I've mentioned this is that I was thinking the other day how helpful it would be if publisher brought out a 'Bible Artist's Bible'. A reference book that gave a physical description, (where possible) of every character in the Bible along with a time-line showing the age of each character at the different events in their lives. This would stop Bible illustrators drawing a young Daniel in the Lion's Den! There may already be a book like this available. Let me know if you see one!

It's not only Bible artists who would benefit from a book like this, I'm sure that Bible students, writers, film makers and many more would welcome an easy to follow reference guide to Bible characters.

Picture © Warner Press 2009

Saturday, March 28, 2009

David and Goliath, and Philistine Armor

David and GoliathDavid and Goliath is one of the better known Bible stories. Anyone who doubts the authenticity of the story should take a little time to look at the evidence. As is usually the case, the latest archeological discoveries add even more weight to the authenticity of the biblical account.

To some, the idea of one champion fighting on behalf of an entire army is fanciful, whereas this was the common practice of the Philistines in deciding the outcome of a battle. To the Philistines, a battle of champions represented the will of the gods! If their champion won, then the gods were on their side and they could expect victory over their enemy.
The 'Battle of Champions' was characteristic of Aegean peoples and this form of battle was known almost exclusively from the Greek Epic tradition. This form of battle however was unheard of among the Israelites which might explain their difficulty in selecting a champion of their own. The fact that this battle, in the minds of the Philistines, was a battle of the immortals would explain why the Philistines fled following Goliath's defeat!
Goliath was indeed a formidable and intimidating champion chosen no doubt for his size, (nine foot and three inches), which some attribute to the possibility that he was a descendant of the Anakim. When Joshua expelled the giant Anakim people from the land of Canaan a few found refuge in the city of Gath where Goliath originated from.

Some also try to discredit this biblical account by saying that, according to the Egyptian reliefs in the tomb of Ramesses III, (shown below), the Philistines wore no coats of mail or greaves and so the biblical narrative is incorrect! They forget that these ancient carvings are depicting the 'captured' Philistine army which had been deprived of all weaponry and armor as was the practice inflicted on a defeated enemy. The Israelites not only took Goliath's weapons and armor, they weighed them too!
Philistine Helmets
Nate Butler asked the question why do so many Bible artists illustrate Goliath's helmet incorrectly when there is so much archeological reference available that clearly displays it? That's a good question, and it's true, we do have a very good idea of what the Philistine helmets looked like from the ancient Egyptian reliefs at Medinet Habu. But, it's also true that Goliath was equipped like no other Philistine foot soldier, and it does appear, from the biblical text, that he used a sampling of weapons from different parts of the ancient Middle East. There is a very good reason for this which we will look at shortly.

Goliath's Helmet
The Egyptian reliefs found at Medinet Habu (see above) clearly show the distinctive feathered helmets which were unique to the Philistine army. The helmets appear to be secured under the chin by leather straps. Feathers were held in place by a decorative metal band. Interestingly, the Philistines are shown to be clean-shaven! When I tried illustrating Goliath above without a beard, it just wasn't Goliath! This is one of those occasions when, as Paul G says, we need to play to the expectations of others! Because we use the word 'Philistine' to describe someone who is uncultured, we tend to think of Philistines as bearded barbarians but, as we will see shortly, this might be far from the truth!

Philistine SwordGoliath's Shield and Sword
These reliefs also show the captured small circular shields used by the Philistine foot soldiers. Goliath's shield was no doubt larger than most, and was borne by a shield bearer who traditionally walked in front of the warrior up until the battle. Goliath's sword is interesting too. Experts claim that the sword described in the Bible, and worn on the back, was a curved blade Sickle sword and not the straight sword normally used by the Philistines. The sickle sword was first used by the Canaanites and, because of its brutal effectiveness, was later adopted by the Egyptians. So, why did Goliath own such a sword? It makes sense that a warrior like Goliath who had no doubt fought one to one battles on many occasions previous to this, would have collected trophies of these victories. Perhaps the sickle sword was one of these trophies.
By displaying an array of captured weaponry Goliath was also displaying his superiority over all opposing forces. They declared Goliath's invincibility! Perhaps this was a tactic intended to intimidate his enemies even before the battle began!

Goliath's Scale Armor and Greaves
Scale armor was important because it protected a soldier without restricting his movements. It was first used in the Aegean.
Each bronze scale was attached in rows to a leather apron. Each overlapping row was offset giving the appearance of fish scales.
The Bible clearly states that Goliath wore "greaves of brass upon his legs". Again some have criticised the biblical account here by claiming that the Philistines did not wear greaves. But, in a recent article in the 'Biblical Archeological Review' which discusses the recent find in Ashkelon of some greek-style pottery, Dr Stager said "Throwing caution to the wind, I am willing to state flatly that the Sea Peoples, including the Philistines, were Mycenaean Greeks." Dr Stager went on to say " because the Bible describes Goliath as going into the battle wearing bronze greaves on his legs. No Canaanite or Israelite soldier wore greaves, but Greek warriors did." So this would explain Goliath's bronze greaves. Maybe the Philistines were not a barbaric uncultured people after all. They may well have been descendants of the more elevated Greeks!

Goliath's Spear
Goliath's iron headed spear has been the subject of much speculation. Some believe that it was more likely to be a javelin than a spear. There are two theories that speculate why the Bible likens Goliath's spear to a weaver's beam. The popular opinion is that this statement refers to the spears size and weight. The second opinion states that the Aegean javelin had a cord wound around the shaft held by loops which gave the spear greater stability in flight. Apparently this winding cord and loop arrangement gave Goliath's spear the appearance of a weaver's heddle rod, characteristic of those used for hand loom weaving in Israel.
I look forward to your comments.

Saturday, March 14, 2009

Samson

Samson
I have Just finished illustrating a picture of Samson from Judges chapter 16 for our upcoming Bible. Most children's Bibles show Samson in the process of pushing over the two key pillars that supported this vast temple, so I thought that I would depict the scene that led up to this event instead. Incidentally, if you are interested to read about Samson's physique, we have discussed this before in the 'Was Samson Muscular?' post.

In the picture above you can see Samson being taunted by the Philistines. From reading the text in Judges 16 it does sound like this scene is taking place in a building dedicated to the worship of Dagon. Dagon appears to be either a god of grain and agriculture or a fish god, (half man, half fish). I decided to go for the latter and based the stone statue in the background on ancient stone carvings thought to be of Dagon. In 1 Samuel chapter 5, we read about when the Ark of the Covenant had been captured and was placed by the Philistines before the statue of Dagon. When the statue fell prostrate before the Ark for the second time, we read that both its head and hands were broken off. No mention of legs, which might give credence to the fish god theory. This might be interesting to discuss further.
At the bottom right of the picture you can see one of the priests of Dagon. He is wearing the fish-head mitre and cape as depicted on ancient carvings showing the priests of Dagon.
Incidentally, and while on the subject of fish, we are in the Jewish month of Adar. The month of Adar has a sign which is the fish! The reason for this is that traditionally this is the month that the fish in Israel spawn. The Hebrew word for fish is 'dag'. (I thought you might find that interesting!) Anyway, back to the story.

Samson was blinded and bound with fetters of brass. This was a common punishment used also by the Babylonians, Assyrians and Persians. We read in 2 Kings 25:7 that Zedekiah was punished in the same way. There are a pair of ancient bronze fetters in the British Museum that were found in Ninevah. I would describe them as a sixteen inch brass rod with a two pronged fork at each end. These two prongs were hammered around the ankles of the prisoner allowing only short steps to be taken. The chains that I have illustrated around Samson's wrists are not mentioned!
At the bottom left of the picture you can see a Philistine soldier wearing the feathered helmet depicted on the ancient carvings in the temple of Ramesses III.

Samson is stood at the central point of the temple between two of the load bearing pillars. The light coming from above is from a large central opening in the roof above. The reason that I believe that there was a large central opening in the roof is that the text suggests that the three thousand people stood on the roof were able to see Samson being taunted. It makes sense that if two of these load bearing pillars that lined this central opening were toppled how the entire building would collapse. If you look through the arches at the back of the picture you can see that the temple is built on high ground. Buildings used for the worship of pagan deities were always built on high ground as this was thought to be nearer to the heavens where their gods dwelt. These are referred to in the Bible as the 'High places'.

Delilah is stood in the shadows under the arches and next to the stairs which led to the roof. As always, I look forward to your comments.

Related posts:
'Was Samson Muscular?'

Sunday, February 22, 2009

Samuel and Eli

Samuel and Eli
Before illustrating the picture (right) of Samuel and Eli, I wanted to gather some information about where this scene was taking place. In the first few verses of 1 Samuel chapter 3, a Temple is mentioned. But which Temple is it speaking of? Solomon's Temple had not as yet been built. Rabbi Naftali Silberberg sheds some light on this...

After the Israelites crossed the Jordan river into Canaan, the portable Tabernacle was erected in the city of Gilgal, where it remained for the fourteen years it took them to conquer, divide, and settle the land. After that, the Tabernacle was dismantled, but the tapestries and rugs which covered it were taken to the city of Shiloh where they covered a newly built stone, fixed albeit roofless, sanctuary. This Tabernacle stood there for 369 years until it was destroyed by the Philistines during the lifetime of Samuel.

So it would appear that, in Shiloh, which was the religious capital of Israel in the time of the Judges, a more robust version of the Tabernacle was built in stone. A precursor to the Temple.
I presume that the reason that this structure was roofless was that it retained the Tabernacle tent coverings. For an artist's impression of what the Tabernacle/Temple in Shiloh may have looked like, click here.
There also appears to have been some sleeping chambers added close to the sanctuary for the High Priest and his attendant, and the addition of some doors, (1 Samuel 3:15). Some commentators say that the sleeping accommodation for the Levites and priests was provided in tents next to the Tabernacle.
The scene takes place in the early hours of the morning before the lights of the golden lampstand were extinguished. These lamps were extinguished at sunrise, (Lev 6:12,13). The light source for this scene is provided by the seven branched solid gold lampstand which was 18 handbreadths in height and over 100 Ibs in weight! I have decorated this lampstand or 'menorah' with almond blossoms according to the description in Ex 25:31-40.

According to Josephus, Samuel was 12 years old when the Lord spoke to him. Eli, who was one of the last Israelite Judges, (before the Israelite monarchy began), is seen wearing the seamless white under garment worn by the priests. His high priestly robes which included the turban or mitre, the sleeveless blue robe and the ephod are folded next to him. You can see the bells and pomegranates woven from scarlet, purple and blue wool along the hem of the ephod.

As always, your comments are welcome!

Related posts:
The Day of Atonement
What did Herod's Temple look like?
Being Roofless!

Saturday, February 14, 2009

Daniel in the Lion's Den

Daniel in the Lion's Den
The most common mistake made by artists when depicting 'Daniel in the Lion's Den' is showing Daniel to be much younger than he actually was. Most children's Bibles show Daniel to be between 20 and 40 years of age when this event in his life happened. A close inspection of the dates in the margins of your Bible reveal that Daniel was around 80 years old when thrown to the lions!

When I was comparing the many versions of this scene painted by different artists. I noticed something interesting about the lion's den itself. Artists like Henry Ossawa Tanner, J. James Tissot, W A Foster and Briton Riviere show a purpose built lion's den, rather like a stone prison cell, whereas Rubens, Gustav Dore and others favor an underground cave, either naturally formed or hewn out of the rock. I noticed that the pictures that portrayed the den as a cave were less menacing to the viewer than those which depicted the den as a purpose built cell. The reason for this, I believe, is that the lions which are shown lying in a natural cave look almost like they're relaxing in their natural habitat. Whereas, the lions shown pacing up and down an empty stone cell look much more restless and agitated. These lions are being contained in a purpose built waste disposal unit! The monotony for them was only broken when an unfortunate victim was thrown in!
As the lion's den appears to be in the grounds of King Darius' palace, it would make sense that it was a purpose built enclosure. In my version, (above), I originally showed lots of blood spattered on the walls of the cell, but I decided that, as this picture is for a children's Bible, I should remove some! Although some kids love the gory bits!

I very much liked the lighting in the version of 'Daniel in the Lion's Den' by Henry Ossawa Tanner which is a feature of his work that we've discussed before on the blog.
Harold Copping added a nice touch to his version of this picture also. The reflective eyes of the lions in the semi-darkness are lit by the light coming in through the opening above. Copping also shows the den to be only about 8 foot high which also makes sense. Most artists, including myself, depict the den as being much higher.

As always, we look forward to your comments.