Saturday, June 07, 2008

New 'Posts by topic' section


You may have noticed a couple of recent additions to the 'Bible illustration blog'.
I have been slowly adding 'Related links' to the end of each post. Also, I have now added a 'Posts grouped by Topic' section, which you will find in the right hand column just below the pale blue WCPE link banner.
This should make it a lot easier for you to find the subjects that I've blogged about. e.g. If you are interested in posts that relate to 'Biblical buildings' or the 'Ark of the Covenant' they can now be easily found grouped into topics in this section!

Although it was possible to find all the posts in the 'Archives' section it was not possible to view them by topic. Now you can! This is a work in progress as only two thirds of the posts have been added to this section so far, so keep an eye out for new topics!

Both these additions will hopefully further enhance your browsing experience of the B.I.B. Since adding these two additions I've noticed that the average time spent on the site has almost doubled! So these may be a helpful tips for other bloggers.

The Bible picture above is from the story of the 'Temptation of Jesus' which is not finished as yet. Dr Leen Ritmeyers superb book on Herod's Temple, (The Quest), has been a great help for this particular story. I will be blogging about 'The Quest' and the 'Temptation' story soon.

Related posts:
New 'Search' feature!
New 'Bible Artist' list

Tuesday, June 03, 2008

Herbert Gustave Schmalz (1856-1935)

This is the third 'Guest article' written by Paul Green for the 'Bible illustration blog'.
Herbert Gustave Schmalz (1856-1935)
Born near Newcastle in 1856 to a German father, Schmalz moved to London at the age of seventeen before enrolling at the South Kensington Art School and later, the Royal Academy. After studying in Antwerp, Schmalz returned to London to establish his career.
Time spent in Jerusalem in 1890 served him well for his New Testament work in the years to follow. A mixture of Pre-Raphaelite and Victorian Neo-Classicism the paintings are effective for their atmospheric use of light in creating a mood of foreboding and sorrow.
In “Return From Calvary” (1891) the woman looks over her shoulder to the three crosses on distant Golgotha, overshadowed by dark storm clouds. The light in the far distance foreshadows the glory to come.
“The Solitude of Sorrow” (1905) shows Jesus undergoing his temptation in the desert. The painting reflects the inner struggle and isolation of Jesus as he prepares the path for his imminent ministry.
Text © Paul Green 2008.

Other articles by Paul Green:
Henry Ossawa Tanner
Carl Heinrich Bloch

Monday, June 02, 2008

More Questions


We have a few more 'Bible illustration' related questions from two Bible artists.
The first ones came in from Nathan (Jumbo) who runs the Biblical Animation blog.
Nathan has been working on a film based on the dream of Nebuchadnezzar in Daniel ch 2. Here are his questions:

1. Would the image in Nebuchadnezzar's dream have worn a loin cloth? Was the statue Nebuchadnezzar saw clothed or nude? The Bible gives details about it's breast, belly, thighs and legs--all items that wouldn't be visible when wearing the typical clothing of the day. Add to this the symbolism of the statue (man's kingdoms/man's reign), and this creates the problem.
(When I illustrated this story I added a loin cloth for the sake of modesty, which most Bible artists seem to do. Graham).

2. What other objects might have been found in Nebuchadnezzar's bedroom? Also, where might references of these objects be found?
Nathan has already added a Mesopotamian bed, some lamp stands, and two barrel-vault windows flanking the bed.

The second set of questions came from Levi. Here they are:
3. Are there any resources available regarding the hairstyles of Hebrew men during Biblical times?

4. Were there differences in dress between the idolatrous temple workers (i.e. prostitues) and the general female dress of the time, and if so, what were they?

5. I noticed that people were able to tell that Peter, in Mark 14:70; Luke 22:59 as well as the apostles in Acts 2:7, were Galilaeans. Did Galilaeans dress differently than anyone else, or were they like the Samaritans having different features?


These are all good questions that will take a little research to answer, (unless someone out there already knows the answers!) All comments are welcome!
Bible PicturesLevi also wanted to know where he might find good reference for authentic Biblical clothing. I originally set up Bibleartist.com for the purpose of displaying photos of replica Bible clothing, (until I realized how hard they were to find!)
The 'Nazareth Village Project' have some nice photos of authentic Biblical costume. They also produced some replica clothing for CMJ for a live exhibition. (see picture above, © cmj 2008).

Looking at the photo above reminded me to say that if you are going to the trouble of having authentic Bible costumes made and getting people to pose in them, remember to ask your models NOT to smile on the photos-!!
 
Related posts:
Question 1
Question 2
Gathering Bible References
More Biblical costume reference!
Which Bible clothing colors should I use?

Monday, May 26, 2008

My Favorite Bible artist #7

Bible PicturesWilliam Brassey Hole. 1846-1917.

I've been wanting to add William Hole R.S.A. to my 'favorite Bible artists' list for some time, as It was his 'artists notes' that accompanied his Bible pictures in the book 'The Life of Jesus of Nazareth' that provided the inspiration for me to set up the 'Bible illustration blog.'

William Hole was the only child of Richard and Anne Hole, born in Salisbury in 1846. His father was a doctor, and the family soon relocated to Edinburgh where William received his education at the Edinburgh Academy. Hole served as an apprentice to a civil engineers in the city before deciding, in his early twenties, that he wanted to see more of the world. While traveling through Italy he befriended some artists in Rome who convinced him that he should pursue a career in art. On returning to Edinburgh he began formal training in both painting and etching at the Royal Scottish Academy (RSA).
Hole specialized in the painting of historical and Industrial subjects as well as landscapes, and around 1900 he traveled to the Holy land to begin work on the 80 watercolors that would appear in 'The Life of Jesus of Nazareth.'

Bible PicturesHole's Biblical costumes
There is no doubt, as can be seen from his artists notes, that Hole sought to capture historical accuracy in his Bible pictures, and to this end, with the help of David Whiting (an expert collector of Palestinian village costume), he purchased a collection of traditional Palestinian costumes to use for reference in his paintings. Artist William Holman-Hunt, one of the founders of the Pre-Raphaelite Brotherhood, also had a large collection of Palestinian costumes that he used for reference in his Bible pictures. This picture which represents Mary and Martha with Jesus shows the women dressed in traditional 19th century Bethlehem costumes. A feature of traditional women's Palestinian clothing are the ornate panels of intricate embroidery which were attached to the front of the dress. As these panels involved a lot of work they were detachable, and could be moved from dress to dress as the girl grew.

Hole's Biblical architecture
All Hole's paintings were done 'on the spot' and although his desire was to capture authenticity in his pictures, he still relied heavily on the existing buildings around him for reference which resulted in the painting of many Byzantine architectural features that were not found in Biblical times. You will notice for instance in the painting (top right) the wooden window box feature. These appear a lot in Hole's Bible paintings Dr Leen Ritmeyer informs me that these wooden window boxes "date from the medieval period. They were never used in Biblical times. Same with the dome which appears in the top picture".
I've already mentioned in an earlier post about Hole's use of Byzantine embellishments, similar to those found on the 'Dome on the Rock' on his depiction of Herod's Temple. Having said this though, very few Bible artists put in as much study and detail into their buildings as Hole did.

Bible PicturesHole's depiction of Jesus
Hole's depiction of Jesus is like no other! In fact, if you were unfamiliar with Hole's Bible paintings, you would be hard pressed to actually pick out Jesus in a crowd! The reason for this is that Hole paints Jesus wearing a 'keffiyeh' the traditional Arab headdress for men. Hole's figure work, although not as strong as Harold Copping's, is still very helpful for reference.

Hole's Legacy
Anyone who has visited the Holy Land, on seeing Hole's paintings, always comment that he has managed to capture the very atmosphere of the land. Both his use of light, and the colors used in his landscapes make Hole's Bible pictures truly memorable. It was no doubt his method of painting 'on the spot' that helped him to capture these essential ingredients in his pictures.
Hole's book 'The Life of Jesus of Nazareth' comes up regularly on Ebay and includes very helpful 'Introductory notes' by Dr George Adam Smith, Professor of Old Testament Theology, a very lengthy 'Preface' by William Sinclair, Archdeacon on London, and of course the artists own notes on each picture.
If you are interested in the pictures alone, there's a publisher here that has plans to reprint all eighty of Hole's Bible pictures.

Related posts:
Favorite Bible Artist #1 Frank Hampson
Favorite Bible Artist #2 Nestor Redondo
Favorite Bible Artist #3 Clive Uptton
Favorite Bible Artist #4 Cicely Mary Barker
Favorite Bible Artist #5 Harold Copping
Favorite Bible Artist #6 Carl Heinrich Bloch

Monday, May 05, 2008

Drawing a Samaritan Leper!

Bible Pictures
Don't worry, I'm not going to give a highly detailed description of the effects of Leprosy! (not in this post anyway).

I'm in the middle in illustrating Luke 17:11-19, (the healing of the 'Ten Lepers').
In my over zealous attempt to do some background research for this story, I asked myself a question, which on reflection was a dumb one. It was this;
"How did Jesus know that the leper who returned to thank Him was a Samaritan?" Did the Samaritans wear different clothes? Did he, as a Samaritan, have different facial features from the other nine Jewish men who were with him?

off I went to find the answers to these questions forgetting one very important thing.......that the Lord Jesus knew everything about everyone He met, as the story of the 'Woman at the well' clearly shows. However, from a Bible illustrators point of view, knowing if the Samaritans wore different clothes or had different facial features are still helpful things to know.

In my reading, I've not found anything that would suggest that the Samaritans wore clothing that was much different from that of the average Jewish person, or that they looked very different either, although I did come across an interesting anthropological study of the Samaritan people that showed that they are the tallest people in Syria, and that they have the genes for blond hair and blue eyes! None of this is relevant though as this was a comparatively recent study. Can anyone shed anymore light on this?

I decided that the most useful information that I could pass on to Bible artists, in connection to this story, would be the requirements of the Jewish law regarding lepers, taken from Lev 13:45.
Firstly they were required to rent (tear) their clothes. I believe that it was the upper part of the garment that was torn as this could be easily seen.

Secondly, They were to have their heads uncovered, and the hair left unkept and uncut. (These first two requirements were also two of the signs of being in mourning. see 'Raising Lazarus' post).

Thirdly, they had to cover their top lip. I've read a couple of interpretations on this. One is that it meant growing a moustache, as the Hebrews used to shave their top lip. I have tried to confirm this information but can't find any other references to it. The second one is that they covered their lip by placing a hand over their mouths. The thought behind this is that it stopped them from breathing on others. Again, If anyone can add anything to this it would be helpful. (See comments for new information on this).
Finally, in addition to the above, they were to shout "Unclean!" "Unclean!" This was apparently enough to scare off any unsuspecting passers by.

P.S. By the way, the photo above isn't of a Samaritan leper! It's just an interesting face I found somewhere.

Thursday, May 01, 2008

Guest Bible Artist interview #4

Dr Leen Ritmeyer
Dr Leen Ritmeyer
The Forth of our 'Bible Artist' interviews is with Archaeological Architect Dr Leen Ritmeyer. Many Bible artists, including myself, struggle when it comes to illustrating truly authentic Biblical buildings. This has not been a problem to Leen Ritmeyer whose research is guaranteed to inspire Bible artists worldwide!  

Leen, you're job title is 'Archaeological Architect  specializing in Biblical Archaeology'. In layman's terms, what exactly does an archaeological architect do?
The work I have done for a long time now, is reconstructing ancient sites. I have done this with pen and ink on paper or as a painting, by designing and building models and also by actually building up ancient sites to show some of their former glory. Before making any reconstruction, one first has to make plans, elevations and sections of the site. One also needs to do a survey of all the fallen or destroyed remains which are no longer 'in situ', i.e. in their original location. It is also important to study any available ancient sources and study comparative architectural styles.

As an archaeological architect you've managed to combine two of your interests in a career, Archaeology and Art. What made you choose such an interesting career? 
I have always been interested in ancient architecture, but never knew that I could make a career out of it. When I first looked at multi-period archaeological sites in Israel I didn't understand what I was looking at. After having worked for a while on an excavation, I realized that I was not alone having this problem. I found this out when I had to give tours of the dig to visitors. I used to explain particular details with words and sometimes hands and feet, but not everybody understood what I was trying to make them see. This changed when I started using black and white reconstruction drawings with the extant remains coloured in. After that I had no more trouble explaining ancient sites to visitors.

Are there many Archaeological architects that specialize in Biblical Archaeology?  
When I worked in Israel  till 1989, I was practically the only one who specialized in making reconstruction drawings of ancient sites. Some digs had capable artists or architects working as volunteers who could make reconstruction drawings, but I was the only one, as far as I know, who did it full-time. The result was that I was asked to make reconstruction drawings of over one hundred sites. The most well-known drawing is my reconstruction of the Herodian Temple Mount:Bible Archaeology
How long have you been an archaeological architect, and where was your first site?
The first site I worked on was the Temple Mount excavations in Jerusalem. I was taken on as surveyor in 1973, making plans and sections of the site. An Irish architect showed me how to do this. After I gave my survey plans and sections to him, he completed missing lines and suddenly I saw what I was working on. His work fascinated me and he gave me a reconstruction project to do under his supervision. That apparently went well, for when he left four months later, the professor asked me to take over his job. I never looked back since.

Out of all the archaeological sites that you've worked on, which Biblical site has excited you the most?
Undoubtedly the Temple Mount. It was, as it were, love at first sight. I knew the Bible well, since I began reading it carefully in Israel in 1967 and the sacred buildings, such as the Tabernacle and the Temples built by Solomon and Herod, always intrigued me.  It was a privilege to have worked there for so many years and to get to know the building details intimately. But it took me over twenty years before I was satisfied that I had found out as much as there is to find out about that huge site. That doesn't mean to say that I concentrate on Jerusalem and the Temple Mount only. Here is an example of another site that I have reconstructed, namely the harbour and village of Capernaum in the time of Christ:Bible Archaeology
What advice would you give to anyone reading this interview, who wanted to become an archaeological architect?
I don't know of any course that teaches how to become an archaeological architect. I did an MA course at the Institute of Advanced Architectural Studies at the University of York, but to be accepted on the course, one needs to have worked for several years in reconstruction work. To become an archaeological architect, one needs to study, or have at least a good knowledge of, archaeology, ancient architecture and ancient history. It is something which you develop in the field. I began as a surveyor and then studied these three disciplines under private tuition of the leading professor, who wanted me to become an archaeological architect. He must have noticed that I had a flair for reconstruction work and he encouraged me to develop these skills.
      
You mentioned to me that part of your work in Israel was to reconstruct actual Biblical buildings. Can you tell us something about the buildings that you've worked on?
Yes, I have (partially) reconstructed a Crusader church, a Byzantine colonnaded street, namely the Cardo in Jerusalem, Herodian villas, one of which may have been the palace of Annas the High Priest, who, with his son-in-law Caiphas, condemned Jesus to death, and other buildings, such as monasteries and agricultural installations. The most complete reconstruction was a section of the Cardo, where we assembled complete columns with their capitals and a wooden roof construction on top. Usually, however, the work involved building up walls and doorways a few feet to help visitors with spatial orientation and the repair of floors and approach roads. Special care needs to be taken not to reconstruct anything one is not hundred percent certain of. Here is a picture of myself checking the position of a Byzantine capital in the Cardo of Jerusalem.Bible Archaeology
I mentioned in a previous post on Herod's Temple that, based on archaeological finds, it would appear that the Herodian craftsmen were careful not to use imagery of animals or men in the ornamentation of the Temple.
It was suggested that the reason for this was that it would contravene the second commandment. If this is the case, why do we see 12 bronze oxen supporting the huge metal water basin in Solomon's Temple? (1Kings 7:23-26)
   
This idea is based on an incomplete reading of the Biblical text. Exodus 20.4 indeed forbids the making of graven images and the like, but the next verse explain why. They are not to make them to bow themselves down to them, in other words, to turn images to objects of idol worship. The twelve bronze oxen and other objects, such as the cherubim on the Ark of the Covenant, were never meant to be worshipped. 

Going a little off topic, there's a question that I wanted to ask in regard to the Temple Mount. I recently read about some concerns relating to the possible unauthorized excavations taking place on the Temple Mount. As the Temple Mount is under Muslim control, what is stopping the Muslim authorities from cordoning off part of the Temple Mount and excavating themselves without the knowledge of the Jewish authorities.
The Temple Mount is not under complete Muslim control. The site is under the legal jurisdiction of the Government of Israel, who  allow the Muslims to have control over the way they use the site for religious purposes. The whole of the Old City, including the Temple Mount, is an archaeological zone. Only archaeologists are allowed to excavate there. That is how so many sites were excavated in the Jewish Quarter. Many houses there were destroyed during the Jordanian rule from 1948 till 1967. Before any new building could be constructed, the foundations had to be excavated by archaeologists.

The QuestBible illustrators are always on the look out for good reference, particularly of authentic Biblical buildings. Can you suggest some good books or websites that would be useful?  
If one is interested in Jerusalem and the Temple Mount, I suggest visiting our blog: blog.ritmeyer.com and website: www.ritmeyer.com
We have produced books, posters and CD, which can be purchased from our site. I recommend subscribing to the Biblical Archaeology Review magazine:http://www.bib-arch.org  They also sell interesting books. Other Israeli archaeological websites, which sell good archaeological books are:http://www.antiquities.org.il/home_eng.asp and http://israelexplorationsociety.huji.ac.il/
The Jerusalem publisher, Carta, who also publishes our books, the latest one of which is called "The Quest - Revealing the Temple Mount in Jerusalem", prints interesting books on Israel. Their website is:

http://holyland-jerusalem.com/ 
  
You have provided illustrations for many Bible related publications over the years, and your most recent work has been for the new ESV Study Bible. Can you tell us more about that?
I was asked to be the archaeological and architectural reconstruction editor for the new ESV Study Bible, which is going to be a very useful tool for Bible Students. It will have over 200 new maps and forty new reconstruction drawings. In recent years, many new archaeological discoveries have been made in Jerusalem, so it was necessary to make completely new reconstructions of the Holy City showing its development from David to the time of Christ. My reconstruction drawings have been turned into magnificent paintings by a UK graphics firm. You can see samples and other information about the ESV Study Bible, which hopefully will be published in October this year, on this website:
http://www.esvstudybible.org/#features

When did your interest in the Bible begin?
I was brought up in the Dutch Reformed Church, but started to read the Bible seriously in 1967. In September that year, just after the Six Day War, I went to Israel to work on a kibbutz. The very fact of living in and traveling through the country, meeting people with a thorough knowledge of the Bible and seeing so many Biblical sites roused my interest. I learned Hebrew, so that I can consult the original text, as I didn't want to rely on translations, however good some are. Whenever our family travelled in the Land, we always did it with the Bible in hand, so that it became a wonderful traveling companion, illuminating the physical background of the Bible.

You spent 20 years in Israel, and you've recently moved from Australia to the U.K. What are your plans now?
The last six years we spent in Adelaide, Australia, where I was teaching Hebrew, the History of Modern Israel and a bit of Biblical Archaeology as well. We are now living near Cardiff in Wales and continue our archaeological illustration work. As mentioned before, I am still working on the ESV Study Bible and have other projects in the pipeline. We also hope to have some time to further develop our own line of products, which we advertise on our website:  www.ritmeyer.com

In closing, I'd like to ask you another 'off topic' question. Having worked so long in Israel, and especially on the Temple Mount, do you have any thoughts on where the 'Ark of the Covenant' might be? 
You can't imagine how many emails I received asking this question after the publication of my discovery of where the Ark stood in Solomon's Temple. You can still see the indentation in the Rock, inside the Dome of the Rock, that was specially made as an emplacement for the Ark. There are claims that the Ark is buried under the Temple Mount or in Mount Nebo, near the Dead Sea, in Ethiopia, France or Ireland. We do have our own ideas, but they need further investigation, before we are ready to publish anything.

Thanks so much to Dr Leen Ritmeyer for taking part in this extremely interesting interview. If anyone would like to attend one of Dr Ritmeyer's lectures on the subject of the Temple Mount, you can find details of all his up-coming lectures here.

Related posts:
Interview with Jeff Anderson
Interview with Keith Neely
Interview with Diana Shimon
No more Domes!
Being Roofless!
What did Herod's Temple look like?
Houses in Bible times
The Day of Atonement
The contents of the Ark
Covering the Ark


  

Monday, April 21, 2008

Herod's Temple Mount model update

Temple Mount Model
I had a long telephone conversation last week with author and model maker Alec Garrard, (pictured above). As I mentioned in a previous post Mr Garrard is the builder of the world famous 'Herod's Temple' model in the U.K.. People travel from all over the world to see this amazing model which is reputed to be the most authentic of its kind.

I asked Mr Garrard if the model is finished. He laughed and replied "It will never be finished!" He went on to tell me that although there are many tiny detailed figures already populating the Temple model, they only represented a fraction of the number that would have populated the vast Temple complex in its day!
As well as making more tiny biblical figures, Mr Garrard is in personal contact with the leading archeologists in Israel, and is always ready to add any new details to the model based on any new archeological finds at the Temple Mount site.

Sadly, there's no website to visit that documents this model, and Mr Garrard, (who is not on the internet), has no plans to launch one, although he does have teaching DVD'S and videos available from his home. The model can be visited any Sunday at Mr Garrard's farm in Suffolk. Moat Farm, Fressingfield, Eye, Suffolk, IP21 5TB. England. You can also order DVD's by phone. Tel: 01379 855361.

For copyright reasons no photography of the model is allowed. However, If any Bible artist would like any photos taken from a particular angle of the model (for reference only), Mr Garrard is happy to oblige for a very reasonable fee.

I also asked about the differences, from model to model, in the design of the giant lamp stands that stood in the 'Women's court'. This is down to the varying sources of information regarding Herod's Temple. The sources used by Alec Garrard in connection with the lamp stands predate the Mishnah, but were not included in it.

Alec Garrard's book 'The Splendor of the Temple' is available from Amazon.com.
I've also ordered a copy of 'The Quest' by Dr Leen Ritmeyer which I'm looking forward to receiving. I will write more about that soon! Alec Garrard's model is based on the historical research up to 1993 of Dr Ritmeyer.

Photo © Alec Garrard / Kregel publications 2008.

Related posts:
'What did Herod's Temple look like?'

Monday, April 14, 2008

Houses in Bible times

Bible Houses
I've been doing a little research of late into the construction process of housing in Bible times. It's advantageous for Bible artists to have some idea of this process as we often have to design buildings in our Bible pictures. When you have an idea of this process, it's possible to design your buildings with a level of authenticity. This research came in handy recently when illustrating the story of the 'Paralyzed man' in Mark chapter 2.
Additional text (in green) is by Dr Leen Ritmeyer. Also, the two window illustrations below are © Dr Leen Ritmeyer 2008.

Room sizes
The picture (on the right) shows the section of roof that has been removed in order that the paralyzed man might be lowered down before Jesus. The rooms in houses at this time were not very high, about 6 1/2 - 8 ft. The walls were spanned by timber beams, usually cypress or sycamore wood. These beams were spaced about the width of a man or more depending on how wealthy the home owner was and the availability of local timber. The width of the rooms was also governed by the length of roofing timbers available, usually about 9-10 ft.

Roof construction
I've illustrated the hole near the edge of the roof, (see above). The reason for this is that I imagined that the four friends of the paralyzed man would have wanted to do as little damage to the roof as possible. So, by digging the hole near the edge of the roof, it would be easy for them to see where the roof timbers were, as the timbers protruded through the stone walls at the end of the building. This would make it easy for them to dig between the roof timbers. Incidentally, where the roof timbers protruded, they were painted with hot tar to prevent decay.
Reeds, sometimes bound together with natural fiber, were then laid across the timbers. A layer of mud plaster was then applied over the reeds followed by a dry mixture of chalk, earth and ash, (which provided insulation). This layer was applied while the mud plaster was still damp. Finally a mixture of mud rich in lime, (to keep out water), was added. A stone roller was used to compact each layer, very similar to the concrete rollers that gardeners use to roll lawns. The compressed layers would have been around 3 inches thick and would have required a determined effort to dig up when hard! Roofs were weeded and re-rolled on an annual basis.
Most houses in Biblical times had flat roofs, which were used for storage and drying fruit and people also slept there in summertime.

Bible HousesWall construction
Walls were generally around 2ft thick! This was for both insulation and strength. As you can see from the picture, roughly quarried stones were used in the walls, and 'finished' limestone blocks were used on the corners of the building, door lintels, and around the windows.
Mortar, made from soil, chalk and straw, was then used to fill in the gaps between the stones. This was darker in color than the stone. The use of mortar helped both insulation and kept out both wind and rain! The straw that was used in the mortar was the leftover straw following the 'winnowing' of grain. Nothing went to waste!

Windows
I read that in first century Galilee, many windows were constructed to be narrower on the outside, to keep out intruders, and wider on the inside to let more light into the room. Apparently, this is based on an ancient Egyptian design. Windows were also small and set quite high in the wall.
Windows were often facing a southern or easterly direction as this caught the early morning sun and acted as an early form of 'alarm clock!' Windows facing this way also gave some protection from the cold winter winds and heavy rain that generally came in from the northwest.
Most rooms received their light from the courtyard, while the few windows in the outer walls were small - often widening out toward the inside, (see picture).
Houses in Biblical times did not have many windows, even the rich limited the number of openings. This had several purposes. First, windows let in the cold and weather. Also, crime could be a very big problem in urban areas. Therefore outside windows were usually small and high to avoid burglary. Instead of windows, well-to-do houses got their light and air from their courtyards. The poor suffered along in the darkness or with what poor windows their insulae might have. Perhaps if they were very lucky, a shuttered balcony might also let in light and air some of the time.



Palaces in OT times had sometimes decorative windows. One such window was found in Ramat Rachel, where Jehoiakim had a palace. Here is my drawing of that window. Fragments of similar windows have been found in the City of David, Samaria, Hazor and Megiddo. These windows faced the courtyard and never the outside.
Dr Leen Ritmeyer.


Plastering
The interior picture, (top right), is not quite accurate in that these interior walls would most probably have been plastered. You can see the smaller 'chink' stones that were set into the mortar in order to achieve a flatter surface before plastering. The plastering of interior walls was done with a mixture of soil, chalk and straw, (very similar to the mortar mix). Wealthier homes were plastered both inside and out with a white lime rich plaster. Plastered walls also kept out unwanted insects and reptiles.

Building requirements
Looking up through the roof you can see the compulsory 2ft high parapet wall that bordered all roofs as a safety measure. The law regarding this building requirement is found in Deut 22:8.
If we add this 2ft high wall to the average room height of 8ft, this gives us a total height for an average single story house in Bible times of 10ft.

Update 20 April:
Dr Leen Ritmeyer has emailed me with some very interesting information about a possible alternative method of roof construction for the house in the Mark chapter 2 story of the paralyzed man.
Due to a scarcity of timber, many houses were completely built of basalt, including the ceilings! For more details on this, including a diagram, go to Dr Ritmeyers blog here.

Related posts:
No more Domes!
Being Roofless!

Tuesday, April 08, 2008

The Great Bible Discovery

Bible Pictures
Over the last few years, with the help of Amazon & Ebay, I've been slowly collecting 'The Great Bible Discovery' series of books, (originally published as Découvrir la Bible in 1983). There were 24 volumes in total, 18 books covering the Old Testament and 6 books covering the New. OM Publishing reprinted the whole of the New Testament as a combined book in 1999, but have no plans to reprint the Old Testament.

This collection of books contain some very good Bible figure reference, and they've proved extremely helpful over the years. One of my favorite artists, who worked on this series of books, is 'Paolo Eleuteri-Serpieri'. He has illustrated stories in books 1, 7, 8 and 19.
I was wondering if there was anyone out there who can help me to complete the set. There are six of the Old Testament stories that I still don't have. They are:
10. Elijah & Elisha.
11. Amos and the Righteousness of God.
13. Jeremiah.
15. Daniel, Ruth, Esther.
17. Jonah, Job, Ecclesiastes.
18. Pharisees Sadducees and Essenes.


If anyone has any of the above titles for sale, please email me!
Check out your church libraries, you might have a set gathering dust in the corner! The Old Testament books have red covers and the New Testament have blue, (see picture above).
Many thanks for your help!
Check out 'The Great Bible Discovery Update'

Update: 26.11.09
I now have the full set thanks to Stefan Koelewijn in the Netherlands!

What do 'Ewe' think?


It's that time of year again (in the U.K.) when all the baby lambs are born. We are very fortunate to be surrounded by farmland and we never tire of seeing the baby lambs each year.

When I was watching the lambs this year I was reminded of something that was said by one of our church members a number of years ago. He said that he never quite understood the parable of separating the sheep from the goats, (Matt 25:31-46), until he visited the Holy land on holiday. The problem he had was that separating sheep from goats in the u.k. would be a relatively easy thing to do, whereas in the context of the parable, the suggestion is that this could be a little tricky. It was only when he actually saw the sheep in Israel, that he realized just how similar they are to the goats!

Now, I'm not an expert on the many breeds of sheep in the u.k, but it's fair to say that the more commonly seen breeds have shorter up-turned ears and short wooly coats, as opposed to the longer lop-eared variety of sheep more commonly seen in Israel, (see photo). I also noticed that the sheep in Israel have longer, shaggier fur.
In the interview below, Diana Shimon mentioned the importance of becoming familiar with the 'ancient fauna' of Israel.

I have made the mistake, (a number of times), of drawing very 'English' sheep in my Bible pictures! Has anyone else made a similar mistake?
Photo © Bibleplaces.com 2008

Other Bible animal posts:
Dugongs!

Monday, March 31, 2008

Guest Bible Artist interview #3

Diana Shimon
Diana Shimon
Our third Bible artist interview is with Diana Shimon. Diana, who is based in Israel, and is a regular reader of the Bible illustration blog, has very kindly taken time out of her very busy day, as both a Bible artist and mother of two young children, to take part in the following interview. Diana has been illustrating a children's 'hebrew version' of the Bible for the last 15 years!

Diana, what can you tell us about the children's Bible that you've been working on, and what will be its title?
I am working on the Children's Bible in modern Hebrew for youth, it's called 'The Testimony'. Right now, I am working intensively on the third volume –'The Prophets'.
For years we dreamed of a Bible for children with authentic illustrations that would be true to the times, geography and cultures of the Bible, accurately depicting architecture, ritual and landscape. Not just a Bible story book, but a faithful edition of the scriptures, with attractive pictures to serve as a stepping-stone toward our children reading and studying the full word of God for themselves. Now the dream is beginning to be realized.

How long have you been working on this Bible, and when should it be finished?
I have been working on the Children's Bible Project since 1992. The whole of the Bible is being illustrated, Habbakuk and Job, Zephaniah and Jude, 1 and 2 Timothy and the Song of Songs, Daniel and Leviticus. There is not a book in scripture that has not been illustrated, including many that would have not been illustrated in modern times, certainly not in full color and to such a high standard.
I did around 1000 illustrations for 5 volumes and around 1000 figures for the genealogy tree in 1 Chronicals. All the illustartions are ready, we are just waiting for the completion of the text. We plan to finish the project completely by 2013.

How do you produce your Bible pictures, are they watercolors?
I work in gouache. The illustrations are meant to explain the facts, so the process of devising the illustrations is taken very seriously. The style is realistic in order to convey a sense of reality rather than fantasy. There's a fictional atmosphere conveyed today in so many Bible illustrations. The gouache colors are sharp and emphatic and the illustrations are true to the topography of Israel and to its ancient flora and fauna as well as to its various material and religious cultures.

Bible Pictures
I remember reading some time ago that you are trying to be as accurate as possible when illustrating Bible clothing etc. How did you go about researching this?
I have the aid of professional archaeological, linguistic and Biblical scholars and will be consulting a control-body of young readers.

What have you found most difficult about illustrating the Bible?
I think the 2 Temples, (Solomon's Temple and The Temple from the book of Ezekiel), were the most difficult illustrations. For me the goal was high quality large illustrations with the correct details, sizes and proportions. Some of the details are not clear in the Bible, and some are missed. It was hard to imagine the whole picture.

Diana, you live in Israel now, but where are you from originally?
I was born in the Soviet Union (Soviet Georgia, Tbilissi) in 1967, and grew up during the times of Breznev. I emigrated to Israel with my family in 1990. I have been working in Hagefen Publishing (CWI brunch in Israel) since 1992 as an illustrator and graphic designer.
I am married and I have 2 young children aged 6 and 4 years old.

It must be really inspiring actually living in Israel. Have you visited Biblical locations for inspiration?
I came to Israel from the Soviet Georgia at age 22. I had never been in Israel before. I grow up as a painter in my motherland and I absorbed the colors, culture and the beauty of that country. In the beginning, when I started to work on the Children's Bible project in Israel all the Israeli people that I drew looked more like Georgians, and the landscapes were exactly like those in Cavcaz.
I understood, that I needed to change everything. I did a special trip around Israel, from the south to the north, I took photos, learned more about it's history, and did many sketches. I still do it even now, after 18 years here!

Have any other Bible artists inspired you?
Yes, of course. I like the art of Jewish artist Abel Pann. I like his attention to detail on Bible costumes and the natural atmosphere of his pictures, also his use of realistic colors.

Bible Pictureswhat advice would you give to an artist illustrating the Bible?
I have a few bits of advice to give an artist illustrating the Bible.

a. Do you plan to illustrate the Bible? Is it on your heart? Pray and ask God to help you!

b. Read the Scriptures again and again. Try to understand every word, and don't miss any small details, sometimes they are very important!

c. Don't use blond hear and blue eyes on Israeli people. They were dark haired people! King David had red hair, not blond!

d. Think about Israel, it's a dry hot desert land! not much water and few big rivers, avoid illustrating green mountains and fields. Use more brown and ocher colors in your palette. It is only a few weeks in the year when we have flowers and green landscapes. By the end of May it is already yellow until December. 

e. Go and see the artworks of different Biblical artists and illustrators, look at different photos of the Holy Land in books, websites and on postcards.


Would you say that illustrating the Bible has had an effect on you spiritually?
I think that I have a great privilege! Isn't it amazing to open a workday with a prayer and a chapter from The Bible? I really appreciate it! God is faithful!

Have you always had an interest in the Bible?
I grew up in a family of believers, my father is a pastor. I remember myself talking about God with my friends from a very young age. My grandmother was strong in the faith and I learned from her how to read the Scriptures and how to understand. I remember her old antique Bible with the illustrations of Gustav Dore.
Yes, I always had an interest in the Bible.

Where can we purchase a copy of this Bible from when it's published?
'The testimony' Volumes 1,2,3 in modern hebrew will be available from:
HaGefen Publishing
P.O.Box 60,
Rishon Le Zion,
75100 Israel

Tel/Fax 972-(0)3-9661898

E-mail: office@ha-gefen.org.il

website: www.ha-gefen.org.il
English version: 'The pilgrim Book of Bible Stories'
Website: www.pilgrimpress.com
Illustrations above are © Diana Shimon/HaGefen Publishing 2008  

Thank you so much for taking part in this interview Diana. I can't wait to get a copy of this Bible when it's finished! Over 20 years of hard work will have gone into the production of it. As soon as I know of a publishing date I will re-post all the details.
It's true to say that all of the Bible Artists that I've interviewed so far have found that illustrating the Bible has not been "just another freelance job", it's been a vocation that has consumed them for many years and, in the case of Jeff Anderson, led to a complete change of career!

I'm always on the lookout for Bible illustrators to interview for the B.I.B. So, if you know of one, please get in contact!

Related posts:
Interview with Jeff Anderson
Interview with Keith Neely
Interview with Dr Leen Ritmeyer

Friday, March 21, 2008

Easter Blessings!


I'd like to wish all readers of the Bible illustration blog a very Happy Easter!

"For God so loved the world that he gave his only begotten Son, that whosoever believes in him shall not perish but have everlasting life.
John 3:16

He is not here; He has risen, just as He said.
Matthew 28:6

What did Herod's Temple look like?

I've just been working on illustrations for the Bible story of 12 year old Jesus' visit to the Temple with Mary & Joseph for the feast of the Passover, (Luke 2:42). This is one of a number of New Testament stories that takes place in Herod's Temple complex. Because the Temple appears in so many stories, it's important that Bible artists have some idea of what it looked like. The Temple took a staggering 43-46 years to build, although it was never fully completed in accordance with the original design. The Temple was built in the classical Roman style. The reason it's called Herod's Temple is because it was 'Herod the Great' who, in an attempt to gain the favor of his Jewish subjects, ordered the rebuilding of the Temple on a much grander scale. The Temple was almost completely destroyed in A.D. 70, (which Jesus prophesied in Matthew 24:1-2).

We see little evidence in Bible pictures of construction work taking place on the Temple despite the fact that during the whole life of Jesus the Temple was under construction! Bible artist William Hole didn't miss this fact, as in at least two of his paintings you can see construction workers in the background working on the Temple! Hole is one of the few artists who showed the Temple in great detail. His picture (left) shows the 15 semicircular steps that led from the 'Court of the Women', through the 'Nicanor Gate' to the 'Court of the Priests' in which stood the 'Alter of Sacrifice'. My only criticism of this picture is the use of Byzantine paneling on the walls. (similar to that seen on the exterior of the Dome of the Rock). Hole was heavily influenced by Byzantine & Arab architecture during his visit to the Holy land, as can be seen from his use of dome topped buildings in his Bible pictures. The other point was that the Court of the Women was actually outside, not inside as this picture clearly shows. Hole would have easily realised this, had he had access to one of the many scale models of Herod's Temple. Sadly, they were all built after his lifetime.


Alec Garrards Temple Model
In my quest to find out more about the Temple I purchased a copy of Alec Garrard's book 'The Splendor of the Temple', (available from Amazon). Suffolk farmer Alec Garrard devoted 18 years to creating a scale model of Herod's Temple which is reputed to be the best in the world! The model measures 20 feet by 12 feet in size. The book contains detailed photos of the model from all angles so it's a great reference guide for Bible artists. This model really has to be seen to be believed. Every single clay brick used in the construction of this model was hand baked in Mr Garrard's oven! The book describes in detail every area of the Temple both above and below ground and suggests the areas of the Temple where the various Bible stories took place.

How do we know what Herod's Temple looked like?
After all, as I've already mentioned, it was almost completely destroyed by the Roman army in A.D. 70! Although there is very little detailed information recorded in the Bible about Herod's Temple, there are several reliable sources that describe in detail what the Temple looked like. The following sources were used by those involved in reconstructing scale models of Herod's Temple:
Firstly, they had the writings of Jewish historian Flavius Josephus who lived during the time of Herod's Temple and witnessed it's destruction. To give you some idea of the exorbitant sums Herod spent on the Temple, Josephus speaks of marble being "overlaid with gold!"
The Mishnah, which is a codification of the oral Jewish law, was also a rich source of information for researchers regarding the Temple.
In addition to this, they had of course all the archaeological evidence, and the writings of expert archaeologists like Dan Bahat and Dr Leen Ritmeyer who I believe have written much about the Temple complex. Alfred Edersheim's book 'The Temple: It's Ministry and Services' also proved helpful to researchers and model makers alike.

Architectural details
I've been reading about ancient Jewish Art to try and get an idea of what type of images would be found decorating the interior walls of the Temple. I mentioned in an earlier post that the 'Star of David' was not used till much later but images of seven stick menorahs have been found carved in stone from this period and earlier.
There is some surviving stonework from the Temple that shows that the Herodian craftsmen were careful to use decorative styles that conformed to Jewish law, (no figurative representation). Any figurative representation would contravene the second commandment. Instead elaborate floral motifs were used which included Vine and Acanthus leaves. Later, in the 3rd and 4th cent A.D, when Jewish art became more Hellenised, figures in a Hellenistic-Persian style were found in synagogues, both on floor mosaics and wall frescos.
in I Kings 7:25. The walls of Solomon's Temple had embroidered tapestries of cherubim hanging on them, and of course we read in Exodus 26 of the artistic designs of cherubim being woven into the curtain of the tabernacle. (See the 'Drawing Cherubs' post). I would like to find out more about the internal furnishings of the Temple, so if you know of any good books or links, please let me know.

There are a number of scale models of Herod's Temple around the globe. As well as Alec Garrards 1/100 scale model in the U.K, there was also one in the grounds of the 'Holyland Hotel' in Jerusalem, (which has since moved to the Israel Museum). Another can be found in the 'Holy Land Experience' in Orlando, Florida, and there is a 1/300 scale model made by 'York model makers' which is available from Dr Leen Ritmeyer.
There's only one difference that I've noticed between these models, and that is the design of the four giant 'Lamp stands' that stood in the 'Women's Court'. I can only assume that the descriptions given of them in the sources mentioned above were unclear.

Related posts:
Interview with Dr Leen Ritmeyer
Herod's Temple Mount model update

Wednesday, March 05, 2008

Question 2!


Our second Bible illustration related question comes from Matt in the States:

"I'm working on kid's bible coloring pages and was about to do one with Paul in prison, but realized that I've no idea what type of prison it would be. Would it be man made, or a hole in the wall? Also what would Paul be writing his letters on?..and with what? (inkpot and quill?). I suppose that's 3 questions..either way, thanks for whatever guidance you can give".

It would be very useful for all Bible artists to know the answers to these 3 questions. As always, all comments will be greatly appreciated!

Related post:
Question 1
Question 3

Ask Moses!


Just wondered if anyone else has used AskMoses.com? This is an online resource that answers questions about all aspects of Judaism. The resource is open to both Jews and non Jews alike. The questioner is connected to one of many Rabbis via a live link, who then attempt to answer your question in real time! I've used it twice now, and it has been helpful.

This can be a handy resource for Bible artists who may need a quick answer about a particular detail of a Jewish custom. Bear in mind though that all the questions that Bible artists ask relate to customs practiced over 2,000 years ago which may differ in some aspects to those practiced today, and you may not get connected to a rabbi whose speciality is ancient Judaism.

The question I asked today was prompted by my seeing some Bible illustrations that depicted bare foot worshippers in a synagogue! This bothered me as I normally show normal footwear being worn inside the New Testament synagogue or Temple, and I didn't want to get such a basic detail wrong! This sounds like quiet an easy question but even 'Googling' didn't reveal the answer!

The answer that came back from Rabbi Jacobson was brief, but to the point!
"Not bare feet". Later in our conversation he confirmed to me that normal footwear, (sandals etc), would have been worn inside the synagogue. That was a relief!
Thanks again Rabbi Jacobson!

Wednesday, February 27, 2008

Contents of the Ark?


We have our first question from Nathan P. Daniel (Jumbo), which I've pasted below.

"I am putting together my own still life for a drawing class of mine, I figured out a good Biblical one to do: the items that were placed inside the ark of the covenant, which served as a testimony of what the Lord has done. So far, I've written out the Ten Commandments in the Proto-Sinaitic script most likely used for Hebrew in that day and did some brief research."

"I was wondering if you might have any other pointers on these items. I know that an omer is about 2 liters, but I'm not sure what kind of jar was used in that day. I also looked up coriander seeds, which appear to be about 4 mm in diameter, and I just figure if I find some I can paint them white and fill that jar with them. What would work as a good alternative to these, especially since I want to scale things down some? Also, Aaron's rod budded, but what type of plant/flower budded from it?"

"Thank you for your time; unfortunately I have to have most of this for class on Thursday, so its kind of short notice. This should make for a very interesting shopping trip."


To start the ball rolling, I was told not long ago by a Jewish believer who had studied this subject that the two tablets of stone that contained the 'Ten Commandments' did not have five commandments on each as is often depicted in children's Bibles, but had the full 10 commands on each one! This is a subject that I've not studied yet so we would appreciate any help readers can give. And, as you can see from Nathans email, he needs some answers pretty quick-!!
Many thanks!

Related posts:
Question 2
Question 3

Monday, February 25, 2008

Any Questions?


I was very impressed by the response to the question I asked a few weeks ago in the 'Road to Emmaus' post. I received 12 responses in one day! which more than adequately answered my question.

This got me thinking that the 'Bible illustration blog' is a great place for Bible artists to ask those tricky questions about Bible stories before they illustrate them!

So, if you have any Bible story related questions that you need a quick answer to, email me, and I'll add your question as a post! We have over 100 visitors a day now, so there's a good chance your question will be answered pretty much straight away!

P.S. Bible Art related questions only please!

Saturday, January 26, 2008

Nazareth Village gift shop


The Nazareth Village gift shop is now back online!
There are lots of interesting products available, definitely worth a visit! The website is nice and easy to use too, Well laid out with nice graphics. You can visit the Nazareth Village website here.

I've just ordered a few items that will be helpful as reference, so I'll let you know what the service is like. I was told by someone last week that it's a great place to visit to, if you're ever in the Holy Land!

Update 7th Feb 08:
Received my order from the Nazareth Village Project! The service was quick, and all the products that we ordered were of a high quality.
The book 'The Nazareth Jesus Knew' is a very helpful book, with superb photographs, a mine of information for the Bible artist! I recommend it.

Top marks to Nazareth Village!

Finding Harold Copping.


Dr Sandy Brewer very kindly loaned me her copy of the biography of Bible artist Harold Copping 'Finding Harold Copping' written by Sheila and Ken Wilson. I read it last night and can highly recommend it!

I've now added some additional information about Copping to the 'Harold Copping' post that you might find interesting.
Copies of this book can be obtained from the 'Shoreham & District Historical Society'.

Posts on other helpful books:
The Great Bible Discovery series
The Bible Story
The World Jesus knew
The Splendor of the Temple
Other related posts:
Harold Copping

Friday, January 25, 2008

Carl Heinrich Bloch


This is the second in a series of 'Guest Articles' by Paul Green of Virginia.

Carl Heinrich Bloch - born on May 23, 1834, Copenhagen, Denmark.
In 1865 Bloch was assigned to illustrate the life of Christ, in a series of 23 paintings for the King's Praying Chamber in Frederiksborg Castle Chapel, Denmark. It would take Bloch almost fourteen years to complete the commission. The resulting paintings would define his career and would be complemented by eight altar pieces and an outstanding series of 78 etchings, influenced by Rembrandt’s depictions of Christ.

Following the premature death of his wife in 1886 he was left with the responsibility of his eight children. The grief and stress proved to be too much and he died of stomach cancer in 1890 at the age of 56. In addition to his Biblical art, Bloch was renowned as a genre and portrait painter and served under various positions at the Royal Academy of Fine Arts.

Bloch’s painting 'Marriage At Cana' (above) depicts the reaction of the servers as they realize the water has been transformed into wine. The figure of Christ looks on from a distance from his seat at the wedding table. The masterly use of lighting bathes Jesus and the wedding guests in bright daylight as one of the servers in the foreground points to the source of the miracle.

The etching 'Writing in the Sand' (1889) depicts a thoughtful Jesus in stark contrast to the accusers of the woman caught in adultery. Their desire for justice under the law which requires the stoning to death of the woman is countered by Jesus calmly writing in the sand. Jesus becomes the focus of attention as some reflect on their own actions and turn away.
Text © Paul Green 2008.

I'd like to add a brief footnote to Paul's article.
Like many artists, Carl Bloch struggled with doubts about his own abilities. Later in his career, these doubts were replaced by an intense conscientiousness regarding what he considered to be his calling, which was to paint scenes from the life of Christ.

During his short life, Bloch produced around 250 paintings, but considered his alter paintings to be his most important work!
For more of Bloch's Bible Art, click here.

Other articles by Paul Green:
Henry Ossawa Tanner
Herbert Gustave Schmalz

Thursday, January 24, 2008

On the road to Emmaus


I'm about to illustrate the story of the two disciples who met Jesus on the road to Emmaus, as part of the 'Resurrection story'. I remember hearing recently the suggestion that this couple were in fact husband and wife as opposed to the two men that we normally see depicted!
No explanation was given though, and I can't see any good reasons in scripture to believe it was so. Am I missing something?

I was wondering if anyone else had heard this suggestion, and what the reasoning was behind it? As usual. I welcome all comments!

Saturday, January 12, 2008

Henry Ossawa Tanner


This is the first in a series of 'Guest Articles' written by readers of the Bible illustration blog. In the first one, Paul Green from Virginia talks about Bible artist Henry Ossawa Tanner

Henry Ossawa Tanner (1859-1937)
The first African-American artist to achieve international recognition and acclaim, his style has been described as “vital and transcendent” by fellow artist Romare Bearden.
Born in Pittsburgh, Pennsylvania to an affluent family, Tanner’s father was a Bishop in the African Methodist Episcopalian Church and his mother Sarah Tanner, a teacher and former slave. Tanner left America for Europe in 1891 and enrolled in the Acadamie Julian in Paris, France. The cosmopolitan and liberal atmosphere of the city was a welcome relief from the racial prejudice he had encountered in America and it was during this period that he painted his acclaimed Biblical works.

After marrying white opera singer Jessie Macauley Olssen, Tanner returned to New York in 1903 for the birth of his son but decided to settle permanently in France. The scandal caused by an inter-racial marriage played a major factor in his decision.
Tanner visited the Holy Land an several occasions and his first hand experiences of the local atmosphere and colour of the region give his Biblical work an authentic quality. His muted palette in “Flight from Egypt” creates an atmosphere of anxiety and fear, fitting the subject matter.

The features of Jesus in “Nicodemus visits Jesus” have caused much discussion and some controversy through the years. Is Jesus portrayed as a black man or is his face merely dark because he is in the shadows? Tanner remained ambiguous. When asked he concluded, “No artist has ever produced a type, nor ever will” regarding a definitive racial and ethnic representation of Christ.
Tanner exhibited regularly at the Paris Salon and won an honorable mention for “Daniel in the Lion’s Den”. He was made a Chevalier of the Legion d’Honneur in 1923 and became the first African American to be inducted in to the National Academy of Design in 1927.
© Paul Green 2008.
Picture1 Nicodemus Visiting Jesus, 1899.
Pennsylvania Academy of the Fine Arts, Philadelphia. Joseph E. Temple Fund
picture 2 Flight into Egypt, 1899.
Detroit Institute of Arts
Founders Society Purchase, African Art Gallery Committee Fund

Other articles by Paul Green:
Carl Heinrich Bloch
Herbert Gustave Schmalz

Wednesday, January 02, 2008

My Favorite Bible Artist #5

Bible Pictures
Harold Copping 1863-1932
Harold Copping has always been one of my favorite Bible artists. The 'American Art Archives' have him down as American, but he was in fact British. Born in 1863, Copping studied at the Royal Academy Schools in London, (the oldest Art school in the U.K.), and won a Landseer scholarship enabling him to visit Paris. He became a well travelled, and an accomplished illustrator, settling eventually in Kent in southern England. During his lifetime Copping illustrated many classical books from Charles Dickens to Shakespeare, but he is best remembered for his Bible illustrations.

Like William Hole and Frank Hampson, Copping traveled to Palestine in order to achieve authenticity in his Bible pictures. It is the realism I like about coppings watercolors, the great accuracy in the clothing detail, and of course his superb figure work! Coppings first illustrated Bible later became known as 'The Copping Bible' (1910). This was a best seller and led to many more Bible commissions.

Copping had strong connections with the missionary societies of his day, especially the 'London Missionary Society' (LMS) who commissioned him to produce Bible pictures for them. Coppings Bible pictures were put onto lantern slides and were used by missionaries in remote areas around the world, in much the same way as our pictures are being used today! Coppings pictures were also widely reproduced by missionary societies as posters, tracts and as magazine illustrations.

Bible Pictures
Probably the most famous of Coppings Bible pictures was 'The Hope of the World' (1915). This depicts Jesus sat with a group of children from different continents. Dr Sandy Brewer writes "The Hope of the World, painted by Harold Copping for the London Missionary Society in 1915, is arguably the most popular picture of Jesus produced in Britain in the twentieth century. It was an iconic image in the Sunday school movement between 1915 and 1960".
There's a fascinating article, (written by Dr Sandy Brewer), about the history of this painting and the big part it played in the early Sunday school movement. Read it here.

Harold Copping is one of the few artists along with William Hole whose Nativity scenes correctly show the wise men visiting the infant Jesus in a house as opposed to a stable. (See the 'Nazareth or Egypt?' post). In a similar way to Cicely Mary Barker, Copping manages to capture a serene wonder in the faces of those witnessing Biblical events.

Bible Pictures
Additional information about Copping gleaned from his biography. Added on 26.01.08

Harold Copping worked in a similar way to Norman Rockwell who used family, friends and neighbors as models in his paintings. Both artists kept a room of costumes and props for the models to use, Bible costumes in Coppings case.
In many of his Bible paintings, one of his wife's stripy tea towels makes a regular appearance on the heads of various Bible characters!

Copping was under contract to the Religious Tract Society (RTS) to produce 12 religious paintings a year which he did. This was a three yearly contract that was continually renewed up until the time of his death. He was paid £50 for each painting and, under the terms of the contract, was not allowed to paint religious paintings for anyone else. Had Copping opted to receive royalties on his pictures, he would have been a very rich man, but the regular work that this contract gave him made him envied by other freelance artists!

The more I see of Coppings work, the more I marvel that he is not better known! He had an incredible talent from a very early age and, in my opinion, should be included amongst the greatest painters of our time. It may well have been his decision to concentrate on Bible art that launched him into obscurity! Bible art, even in Coppings day, did not have the credibility that it once had.

Update: April 2008
A Copping Bible sold recently on Ebay for £42.00. I'm still after one!

Related posts:
Finding Harold Copping

Favorite Bible Artist #1 Frank Hampson
Favorite Bible Artist #2 Nestor Redondo
Favorite Bible Artist #3 Clive Uptton
Favorite Bible Artist #4 Cicely Mary Barker
Favorite Bible Artist #6 Carl Heinrich Bloch
Favorite Bible Artist #7 William Hole